a group show on hospitality
Slavs and Tatars, Mother Tongues and Father Throats, 2013,
Peles Empire, Bar, 2015; Duo, 2014, installation view Kunstverein Braunschweig, 2015,
The very inscription “Salve Hospes“ (lat. “Be welcome, guest”), which stands like a motto above the main entrance of the exhibition building, already suggests the dedication of a show on hospitality in the Kunstverein Braunschweig. And indeed, the original distribution of the rooms arranged by architect Peter Joseph Krahe provides for several rooms that are intended for hospitality: reception area, ceremonial hall, guest rooms. But beyond concrete reference to this particular location, hospitality in general can serve as a characteristic feature of the art world, where artists are invited to stage on-site exhibitions. An atmosphere has to be created, where the artist-guests feel “at home”, where they feel comfortable, so that they can develop their work and ultimately present it at an exhibition.
OPEN HOUSE is furthermore intended as an invitation to artists and public alike to engage in questions of what it means to be a guest or a host and to deal with the specific perspectives and contexts that result from this difference. The many facets of hospitality unfold between hotel room walls, linguistic differences and bridging gaps, traces left behind by guests in addition to references to exile, colonialism and refugee policies. OPEN HOUSE depicts hospitality – which is per se tied to conditions and consequently in contradiction to the central idea – in its ambivalence between welcoming warmth and exertion. The theme demonstrates its multidimensional nature and its complexity in installations, sculpture, video and photographic work, which for the most part have been produced especially for this exhibition.
Curated by: Jule Hillgärtner / Curatorial assistance: Aline Fieker, Gergana Todorova
Sven Johne, Lampedusa Hotels, 2012/2015, installation view Kunstverein Braunschweig, 2015, courtesy the artist and Galerie Nagel-Draxler, Köln/Berlin, photo: Stefan Stark
Philipp Grünewald, I00kus, 2015, installation view Kunstverein Braunschweig 2015,
courtesy the artist, photo: Stefan Stark
Thomas & Renée Rapedius, Verbindende Formen, 2015,
Bianca Baldi und Ani Schulze, Poltroneria, 2014, installation view Kunstverein Braunschweig, 2015, courtesy the artists, photo: Stefan Stark
Bianca Baldi, Zero Latitude, 2014, installation view Kunstverein Braunschweig, 2015,
Yael Bartana, True Finn – Tosi suomalainen, 2014,
Heimo Zobernig, Ohne Titel, 2013 (HZ 2013-054); Ohne Titel, 2012 (HZ 2012-045),
Bianca Baldi (*1985, Johannesburg, ZA), Yael Bartana (*1970, Kfar-Yehezkel, IL), Kasia Fudakowski (*1985, London, GB), Peles Empire (Katharina Stöver, *1982, Gießen, DE and Barbara Wolff, *1980, Fogaras, RO), Philipp Grünewald (*1989, Frankfurt /Main, DE), Sven Johne (*1976, Bergen on Rügen, DE), Thomas and Renée Rapedius (*1975 and 1973, Lower Saxony, DE), Ani Schulze (*1982, Frankenberg, DE), Slavs and Tatars (founded in Eurasia in 2006), Florian Slotawa (*1972, Rosenheim, DE), Heimo Zobernig (*1958 Mauthen, AT)
The exhibition is being supported by:
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Please download the exhibition guide of APPARAT here.
Bag by Helen Feifel.
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Edition: 100, numbered
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