|4 March until 14 May 2017||VILLA SALVE HOSPES|
Developed specifically for Kunstverein Braunschweig, Tim Etchells’ work Together Apart encompasses all fifteen rooms of the Villa Salve Hospes. In this expansive sound installation, language, not a physical object, is the focus. Multiple loudspeakers project the voice of an individual who gives visitors instructions; these consist of English forms of speech that metaphorically refer to different parts of the body: “Go with your heart,” “Keep your eyes peeled,” and “Keep your nose out of it.” While viewers attempt to mentally decipher, or perhaps physically implement , the mantra-like phrases of these interwoven sounds, the words take on a degree of urgency due to their presence in the space. As a listener, one inevitably has a sense of being personally addressed, and one finds oneself drawn into the situation.
The text stems from a ninety-minute improvisation that culminates in this linguistic composition. Both narrative and poetic at the same time, it subtly links the spaces of Kunstverein Braunschweig. Together Apart sparks associations that accompany or even guide visitors on a social, architectural, physical, and mental level as they make their way through the exhibition spaces. The sound collage repeatedly gives rise to perplexing moments, when scraps of text seem to alternate between their literal and metaphorical meanings or when these meaning seem to break down into syllables of sound through repetition.
Tim Etchells is known to a wide audience, primarily through his work with the postdramatic performance group Forced Entertainment since 1984. In his solo exhibition TOGETHER APART at Kunstverein Braunschweig he concentrates on a central aspect of the performative act: the spoken word. He explores not only the sounds of words but also the physical presence of language and even the (bodily) reaction of visitors. In this work Etchells pursues his interest in disrupting the traditional relationship between the body, movement, language, and the viewer in theater and contradicting conventional expectations. How can one make actors recede into the background—or even disappear—and instead activate the observer?
Tim Etchells (*1962) lives and works in Sheffield and London. In 2016 he received the International Ibsen Award together with Forced Entertainment. In addition to numerous engagements throughout the world, such as the Ruhrtriennale 2013, Etchells has also presented his solo projects in conjunction with the Midnight Moments’ Series on New York’s Times Square in 2016 and at the Tate Modern, London in 2015, the Hayward Gallery in 2013, and Künstlerhaus Bremen in 2010.
|4 March until 14 May 2017||REMISE|
In his multi-media practice Ben Schumacher explores the complex interaction between physical presence and biographical representation. As part of his first institutional exhibition in Germany, the artist has transformed the Remise into a temporary cheese storage. A dilapidated shelving system provides space for both heavy wheels of cheese and a frieze of carved wooden objects representing the seven sacraments of the Catholic Church. The thin cables binding these objects together simulate a link between the local tradition and craft of cheese production and the demands of global connectivity. The installation also includes a series of seven cheese-colored paintings dealing with initiation, healing, and service.
Ben Schumacher (*1985 in Kitchener, Canada) lives in Berlin and New York. He has shown his work in exhibitions at the Biennale de Montréal, 2016, the 13th Fellbach Triennial of Small-scale Sculpture, 2016, the Museum of Contemporary Art Lyon, 2014 and the Sculpture Center, New York, 2011. Following his exhibition at Kunstverein Braunschweig, Schumacher will take part in group exhibitions at ZKM Karlsruhe and the Kunsthalle Zürich in 2017.
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